But it's a dream where things morph into other things.”“The music is the poetry of life, it’s the spirit of something,” McLean said. I was lucky to be able to do these things, and to be able to spend an enormous time on getting the singing right, or whatever, or figuring out how to write the right song, or whatever. It’s a very long process whereby you can conquer your fear of the stage, and move beyond worrying about whether you hit the right note, but actually move into a whole other place where you’re completely free, where you understand what you’re doing so well that if you make a mistake that it doesn’t even matter. I started out when I was 15 or 16, and by the time I was 18 I’d quit school and was in New York, and I was an opening act in a lot of little clubs in New York. Read below for excerpts from the interview.The first verse appeared like a “genie out of the bottle.”"The song is not about Buddy Holly," he said.
And also, as an artist who works onstage all the time like I do, and have for many decades, it doesn’t take long for me to figure out what an audience is like, just like I can pick up a vibe from a person. I’m amazed, myself, about all the things that have happened to me, that have been so great and so wonderful. I just wanted to play, and have a little audience, and I worked with some people who knew more than I did, and they would say to me, “No, this song goes better here.
And not a ‘This Land Is Your Land’ or America, the Beautiful” or something like that. But McLean wasn’t a one-hit wonder. That has to do also with the way things are recorded.
It was almost a hysteria of some kind for about six months. I listened to his records all the time.”Twelve years later, McLean took pen to paper and delivered “American Pie,” an eight-and-a-half minute acoustic epic that’d become one of the most celebrated and debated songs in popular music.The song opens by transporting listeners back to McLean’s 1959, to an America before the Beatles invaded Ed Sullivan and Vietnam War protests took over city blocks. “It had been building since the ‘60s. Sixty years ago this Sunday, just after 1 a.m., a plane carrying three rock 'n' roll stars and an Iowa pilot crashed into a frozen field north of Clear Lake, Iowa.The impact killed all four immediately, changing the course of music for decades to come.Across the country, a 13-year-old paperboy unfolded the next morning’s headlines to read words that’d leave him devastated.Buddy Holly, J.P. “the Big Bopper” Richardson and Ritchie Valens died hours after striking a final note at the Surf Ballroom.“I was crazy about Buddy Holly,” McLean, age 73, told the Register. That led the way toward the next album, which was American Pie, and then I became immediately world famous. Riots in the streets. ... Read below for excerpts from the interview. So I started out right from the get-go with no benefits, no safety net, no money, no nothing. “It’s the essence of art. Recording, songwriting, performing, singing, playing – these are all things that you can spend a lifetime doing. Not silly songs written for kids by guys with waterfall hairdos, jivin’ around on stage.”In turn, he points to how drastically society changed in the 1960s as parallel to “American Pie.”“You were coming to the very ugly end of the Vietnam War.” he said. Something about him, really … he was my favorite. And each year that I got farther away from the kids that I’d gone to school with, they were advancing in the corporate world, and they were having children and settling down, and doing all the things you’re supposed to do, and I was this rambling boy. That song goes better there. You never can lose your confidence in front of an audience. This is the environment that was now happening, all right, in the United States, opposed to 1959.”During his visit, he penned hand-written lyrics to "American Pie” on the wall of the venue green room. I can do the same from a group of people, and I can know where I can go and where I can’t go, and what they want and what they don’t want. They have their idea of how things ought to be, and you’re just another client who’s coming through town. “It’s in the middle of a corn field,” he said. You know, it takes an empathetic producer and musicians to care about that. But I love music, and I didn’t really want to work for anybody.
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