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All, however, incorporate the patterns of vibrant textiles often referred to as “African print” cloth. Related Companies has worked with New York based-Culture Corps to curate the neighborhood’s collection, paving the way for Rosemary Square’s trajectory as an unparalleled urban oasis destination for the arts.“The inclusion of a significant and vibrant sculpture by an internationally celebrated artist such as Shonibare elevates the discourse around public art in the City of West Palm Beach.

One of Britain’s best-known contemporary artists, Yinka Shonibare (b.

'African' or Dutch wax prints, originally stemmed from the process of Indonesian batik (a wax-based technique), which was later industrialised by the Dutch colonisers. About.

Yinka Shonibare MBE b.

He gained notoriety on the international stage via his commission for Okwui Enwezor’s Documenta 10 and was a Turner Prize nominee in 2004. Presented by the Public Art Fund, British Nigerian artist Yinka Shonibare has unveiled Wind Sculpture (SG) 1 to the public, a 23ft fiberglass sculpture that highlights global migration. Last week, the Rose Kennedy Greenway installed its latest public art commission, “Wind Sculpture (SG) V” by Yinka Shonibare. All Smithsonian museums are temporarily closed to support the effort to contain the spread of COVID-19. For Shonibare, these textiles become a catalyst with which to rethink history, political and economic entanglements, and the choices we are making that effect our future.Shonibare was born in the United Kingdom in 1962 and moved to Lagos, Nigeria, at the age of three.

“I do not ever underestimate the importance of public access to such basic principles of inclusion.”Home to the largest concentration of public art installed by a private company in Palm Beach County, Rosemary Square’s new Wind Sculpture will be welcomed by a curated collection of artists including The Wishing Tree by Symmetry Labs, Water Pavilion West Palm by Jeppe Hein and My East Is Your West by Shilpa Gupta. These textiles speak to the global networks that link us all: they are based on Indonesian batiks, manufactured in the Netherlands and Great Britain, and named, worn, and sold across western Africa. Related was recently named to Fast Company Magazine’s list of the 50 Most Innovative Companies in the World.

Shonibare’s Wind Sculpture series harnesses the metaphors of the hybrid fabric and the invisible force of nature to explore global migration and our interconnected contemporary culture.In 2013, Shonibare kicked off his Wind Sculpture series that are now exhibited across iconic destinations around the world from the Smithsonian National Museum of African Art in Washington to the Ndubuisi Kanu Park in Lagos.“My work is about celebrating the diversity of communities and highlighting our connections,” says artist Yinka Shonibare. The colorful hand painted fiberglass sculpture will stand 20 feet tall and represent the notion of capturing the movement of wind and freezing it in a moment in time. Wind Sculpture VI. by Yinka Shonibare (b.1962) Shonibare's signature colourful fabrics have a complicated historic import.

Doris C. Freedman Plaza. 1962, London) spent his childhood between England and Nigeria.

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